I focus on moments that appear ordinary yet carry a subtle sense of disturbance. I am drawn to the everyday gestures of people; the restless bodies, the small silences, the uncertain distances; where something true reveals itself without asking for attention.
For me, the figure is not a character but a vessel for a human condition: a blend of dry humor, mild disorientation, and that familiar hesitation between pausing and moving forward.
Light and space in my work do not build the scene; they expose it. The world around the figures feels slightly tilted, brighter or quieter than necessary, and these minor shifts turn a familiar moment into something strange and unexpectedly revealing.
I’m not interested in realism as appearance; I’m interested in realism as experience.
Distortions, broken proportions, and visual silences help me get closer to what lies beneath human relationships; a constant tension between intimacy and misunderstanding, between need and retreat, between performance and truth.
I think i live in that fragile in-between:
between collapse and persistence,
between the everyday and its invisible crises,
between seriousness and a humor that always cuts a little.
I paint to hold onto these fragile, human moments; moments that usually go unnoticed, yet shape the way we live.
